Friday, February 24th, 2012

Ace of Cups — The Fairytale Tarot

1 Cup Fairytale TarotWritten & Designed by Karen Mahoney
Illustrated by Alexandr Ukolov, Baba Studio
Artwork by Irena Třískov

 

Feeling nostalgic for an era ended not long ago— five months, to be exact— I said, “Tell me something about climbing trees.” The deck showed me the Ace of Cups.

 

Keywords & phrases: Being open to new  creative beginnings • Bursting with life and passion • Accepting love and affection • Exhilaration about imaginative or artistic projects.

 

“The Ace of Cups shows us a moment of emotional openness and new beginnings. It’s a card that signals the possibility of new connections with people or with things that arose strongly positive feelings in us. It tells us to accept, rather than analyse, these emotions, and to be glad of the flood of warmth and companionship that they bring.”

 

The Ace of Cups represents the beginning of love, happiness and compassion. It can indicate the start of a new relationship, the sort in which two souls connect and leave each feeling good about themselves and life in general. It is a card of giving and accepting love unconditionally.

 

Climbing trees was a love. I loved it. I loved the movement and structure of the tree, the physical exhilaration, mastering the skills necessary to perform my job, and the view from the top. I love trees. Climbing trees is something I am letting go of right now in order to make space for my baby. Although it was my favorite job I ever had, I am not certain I would want to climb for a living in the future. I feel protective. I want to seek out something more subdued and nurturing. I no longer need to prove myself master of a man’s trade. This leaves me nostalgic. Nostalgia is not all bad, though. I know sometime in the future I will be nostalgic for today— the time that is now— when I am newly through with climbing trees and open to whatever this new venture of motherhood brings to me.

Thursday, February 23rd, 2012

15. The Devil — The Russian Tarot of St. Petersburg

Yuri ShakovArtist: Yuri Shakov

[I was shuffling this deck & out fluttered the devil.]

Right-side-up: “Ravage, Bondage, Malevolence. Subservience. Downfall. Weird experience. Bad outside influence or advice. Black magic. Unexpected failure. Inability to realize goals. Violence. Shock. Fatality. Self-punishment. Temptation to evil. Self-destruction.”
Up-side-down: “Release from bondage. Throwing off shackles. Divorce. Recognition of one’s needs by another person. Overcoming severe handicaps. The beginning of spiritual understanding.”

 

“The Devil’s face resembles Josef Stalin, who ruled the U.S.S.R. for thirty years. His powerful body symbolized the intensity of his power, tattoos represent his power’s criminal nature, and bat wings symbolize its extent. The marshall’s star above him is the symbol of his victories, the horns show the devilish cunning with which he holds his winnings. The two eyes on his chest are the vigilance of the secret police. The Devil’s chains trap a man and a woman, deprived of civil rights.”

 

Ultimately, the Devil takes on a great amount of responsibility. It is those who have taken on the responsibility of excessive power who have the greatest tendency to be devil-like.

 

“With great power comes great responsibility,” said Uncle Ben to Peter Parker via Francois-Marie Arouet aka Voltaire, who was disturbed by the sickening abuse of authority and privilege by those in power whilst the poor and deprived starved and suffered around him. Not much has changed.

 

Voltaire wrote a lot in days when not as many people write when they do now (there were no bloggers in the 18th century) so it is quite possible someone else said it first and Voltaire was the first to write it down, ableit in French. He also wrote “The multitude of books is making us ignorant” somewhere in one of his over 20,000 letters and over 2,000 books and pamphlets.

 

I believe I have spent enough time reading. It is time, once again, to go outside the book and learn something on my own.

Wednesday, February 22nd, 2012

Nine of Swords — The Enchanted Tarot

Amy Zerner Monte FarberArtist: Amy Zerner
Text: Monte Farber

 

“In the night, a sleeping figure lies trapped in a dark, nightmare world existing on the edge of sleep. Strange demons, repressed hurts and childhood fears range freely. […] This is a lonesome place, far from help and comfort. Shadows of pain, suffering and depression overwhelm the sleeper until she becomes a victim of her own thoughts and, like a martyr, repeatedly impales herself on their hurtful points. […] The only way she can escape from these nightmares… is to open her eyes and awaken to what is really bothering her. She must confront it in broad daylight…. The alternative is torment.”

 

This is a good description. I like the Nine of Swords. I do.

 

From childhood through college, I suffered terrifying nightmares. Oftentimes, the dream itself was abstract: something akin to the task of counting backwards from infinity. It was represented by the perpetual division of an infinitely large form that filled my field of view. I would divide until my field of view was clear but for a tiny speck of what I had begun with. At this point I had to look closer, and the tiny speck would once more be infinitely large. I could do nothing until the task of infinite division was completed. When finally I passed the point of dream paralysis, I was completely hysterical and totally incapable of speech.

 

As I matured, the dreams became more conceptual and less abstract. I would dial a friend again and again, but the buttons would swim around and fall off the telephone. Panic. I needed to turn on the light, but the string came off in my hand. Over and over. Panic. Helplessness. Terror. I could not breathe.

 

Eventually I learned to face my nightmares. I learned there are things I cannot do in dreams. For example, I cannot dial a phone: numbers use the other side of the brain. I appreciate dream terror for what it teaches me about reality and waking life. I know there are things I cannot wrap my conscious brain around, but if I fail to learn from my mistakes and injuries, I go mad. I will not run down that same dark hall.

I like the Nine of Swords. I do, I do.

Tuesday, February 21st, 2012

King of Coins — Tarot of the Absurd

Jessica RoseArtist: Jessica Rose Shanahan

 

Dignified— This card can indicate a loyal and dependable leader who is not necessarily either intelligent or imaginative. He is trustworthy, patient, cautious, and uses his inborn wisdom to increase his wealth. He is slow to lose his temper, but once angered he stands rigid against his enemies.
Key Words— Planning, advice, counsel, promising ventures.

 

Ill Dignified— This card can indicate a person who is easily bought, dull, very materialistic and mercenary. He is blind to beauty and hates change as he finds it hard to adapt. He treads a well worn path even if it leads nowhere.
Key Words— Beauty blindness, dislike of change, mercenary attitude.

Monday, February 20th, 2012

Re de Denari — Il Tarocco Bizzarro

re di denariArtist: Franco Bruna

 

“Coins are the suit of money and success. They refer to practicality, concreteness and the physical world. They are linked to the earth element because of their solidness and reality.”
King: Commercialist, trader, financier, smart investment.

 

The King of Coins was the final card I illustrated for my deck. I have pulled it numerous times from other decks. I no longer recall why I had such issues illustrating the kings. I think I had trouble motivating myself to sit down. I have always said I’ll finish all my more sedentary projects when I’m crippled.

 

A friend who infallibly misunderstood the gist of what I said once replied, “Why do you plan on becoming crippled?” Too caught off guard to explain that the effects of age are often crippling, I replied, “I don’t plan on it—” and he said “You’ll never finish anything.” Alas, he lived his life as an inverted Two of Coins. It was not in his nature to understand my reasoning.

 

[Oops! I meant to post a card of mine today! I’ll show my own King of Coins tomorrow…]

Sunday, February 19th, 2012

Knight of Cups — The Renaissance Tarot

Jane LyleIllustrator: Helen Jones
Author: Jane Lyle

 

Keywords:

Upright: Romantic • Inspirational • Visionary

Reversed: Loss of direction

 

The Knight of Cups is the Arthurian hero— the grail knight— the spiritual poet— the courtly lover—the romantic artist. Chasing his muse, he undertakes a journey of imagination and creativity through the unconscious. Because he is in love with life itself, he is charming and attractive to others, regardless of their sex. He uses refined, feminine intuition during quests of romance and seduction. Master of following his heart’s inner compass, he makes decisions with little input from his brain and follows the wisdom of his dreams.

 

In the worst of times, the Knight of Cups jumps to conclusions before looking at facts. He becomes moody, jealous or emotional to the point of incapacity and allows his emotions to control his life.

 

*   *   *

 

Tarot of the AbsurdI made a postcard

to celebrate the completion of my deck.

Want one?

Send me a post card for trade

or buy one here.

I also made a stamp of the Knight of Sticks

which is way cooler than the postcard

but Zazzle® won’t publish it publicly

because apparently it glorifies weapons

in a way that is not incidental.

Saturday, February 18th, 2012

The Faeries’ Oracle — 44. Lys of the Shadows

Brian FroudArtist: Brian Froud

Author: Jessica MacBeth

 

Interpretation: Healing the shadows. Addictions. Bondage. Self-esteem.

 

I have now been keeping this blog for a (mere) two and a half months. Done with illustrating cards, the next step is to write about card interpretation and illustrative thought-process. I need to reveal those things which remain occulted in my mind. Today I am using Brian Froud’s Faeries’ Oracle. I had some issues with the deck last time. With that in mind, I ask this pack of fey, “If the goals of this blog are to create a daily entry about a one-card tarot reading in order to facilitate the writing of a book, what is the purpose of reading from non-tarot decks, decks that do not inspire creative writing, and decks that I simply do not enjoy looking at?”

 

“Good question,” says Lys of the Shadows. I like her.

 

Lys deals with addicts. She tries to help people develop true self-respect and self-esteem by inspiring practical help for those who need it most. “Take a shower. Brush your teeth. Go out side into the sunlight,” she says. Taking care of one’s self is the most basic sign of self respect. This may be obvious to most of us, but for those living in the shadows of society, they are not easy actions. The best time to deal with addiction is before it happens, when action is merely habit. Lys is brisk with me. “Look at your habits,” she says.

 

I have this habit that I generally do what I say I am going to do— in general a very good trait. I also have a habit of trying to distribute my attentions fairly— again, not a bad thing. Lest you think I am a conceited self-righteous snot, I acquiesce to having a slew of bad habits not relevant to this discussion.

 

From the start I have wanted to write a book to go with this deck. Each of my major arcana cards began as a terse aphorism of my own divination. The book will not be the kind that retells the same-same tale of what each card means. I want the book to be one of poetry and short story— an amusement in and of itself. I want to show how my world-view is portrayed each image. I never wanted to change the tarot deck. Its mythological history is too amusing for that. I merely wanted to give old cards new, vibrant personality.

 

Thus, I have illustrated the Tarot of the Mythology of Me. Mythology becomes absurd when one takes it too literally, too seriously, or too fundamentally. I have spent my life admiring and amused by the mythologies of others, slave to none, faithless to anything outside my own imagination. Endless and beginningless a thing as mythology is, it is liable to take on each aspect of everything around it. Wading through ancient mythology requires hip boots, mental stamina, and a sharp machete.

 

In asking my question of Lys, I ask for permission to streamline the writing of the Book of the Mythology of Me. She says: “Eliminate what you don’t need. When something has ceased to serve its function— when action no longer brings you closer to your goal— move on.” Thus, with her blessing, I drop this deck from my lineup. I will do likewise with others that cease to serve me in the future. My goal is to write a cohesive, amusing book. These entries are my notes.

Thursday, February 16th, 2012

Two of Quills & The Magician — The Shakespeare Oracle

to be or not to beArtist: Cynthia von Buhler
Author: A. Bronwyn Llewellyn

 

Interpretation: “This card signifies vacillation between opposing points, weighing seemingly equal possibilities, procrastination, or struggling with a dilemma.”

 

Doing something one is used to doing is not so difficult. Being in a difficult situation and changing one’s habits is very hard for most of us mortals. It becomes easier as the situation becomes dire. The sort of yoga I do daily is no longer good for me. Most everything hurts. Thus, I no longer do yoga. Not doing yoga is not good for me. My request of this deck was, “Tell me to do yoga.” The deck tells me, “Find something good for your body and do that.” I need to learn something new. But where do I look? How do I begin?

shakespeare tarot

 

[I draw a second card.]

 

Interpretation: “The Magician is the communicator, creator, achiever, and shape-shifter. Drawing upon his wisdom and determination, he commands the forces of the universe and shapes them into a new reality. Originality and sheer willpower fuel his conjurations. […]”

 

The bard hath spoke!

Get off your arse and get to work.

Be not some dumb puppet—

be your own puppet’s puppeteer.

 

Wednesday, February 15th, 2012

Five of Swords — The Fantastic Menagerie Tarot

five of swords; Alex Ukolov

[I drew this card reversed.]

 

Artist: Alexandr Ukolov

Author: Sophie Nusslé

Designer: Karen Mahoney

 

In this image, a cockerel wearing a bonnet to cover his comb and coat to cover his plumage entices a large moth with a candle flame. On the table is a box of coins and a note. On the wall hangs a picture of a wasp trouncing a beetle in swordplay. Why doesn’t the cock show his true nature to the moth? Perhaps because he knows the moth is hypnotically attracted to the flame; he uses this knowledge as an unfair advantage in this battle of the sexes.

 

This morning I woke up with unusually large feet and ankles. All my bones had disappeared into a puffy, swollen mass of flesh. I went for a walk to improve my circulation, something I had avoided yesterday because my sacroiliac joint pinches on a high note and my pubic symphysis sends low, throbbing undertones of imminent dislocation across my hips and down my inner thighs.

 

The Five of Swords reversed says:
My body-mind is engaged in a humiliating battle. There is little I can do to alleviate the crises enacted by my body in these last few months of pregnancy aside from change my mind about how I approach life. A battle against hormones is lost from the start. I am open to changing my behavior in order to avoid further humiliation. I surrender my mental blade of determination and watch in pained amusement as my body charges forth with its strange changes. I look forward to the day when this mock-battle is over and I can focus my energy on healing.

Tuesday, February 14th, 2012

The Hermit — Tarot of the Absurd

[I have been in NY City for a few days. I had a wonderful time. I am now re-united with my computer and scanner.]

 

Artist: Jessica Shanahan

 

I love this image. You can click on it to make it bigger and see each individual hair in the Hermit’s beard.

 

This is how I make my pictures:

 

I spend anywhere from a few days to a few years trying to figure out what a card means to me.

 

I rack my brain for ideas on how to represent the meaning of the card using lovely curved lines and zero colors and two dimensions.

 

I draw a sketch in pencil on a piece of scrap paper. Again, this can take a very long time.

 

I scan the sketch into my computer and import it in Adobe Illustrator to use as a template for a vector graphics illustration.

 

I place points on the apexes of curves and pull vectors that approximate my hand-drawn curves. This takes one day or many, depending on the complexity of the image and how many times I edit it before it approaches completion.

 

Because one of my goals is to have as few points as possible, I go through a prolonged period of removing points that I have placed. I use no pre-formed “shapes” (squares, circles, stars, etc.) and, with few exceptions (see the hanged man), I do not cut&paste or re-use any of the images I have drawn. I am obsessive. However, my images are drawn by a human (me) and I want them to look that way. Another goal of mine is to reproduce the feeling of pen&ink.

 

Each image goes through a lengthy editing period— from a few days (rarely) to a few years (way too often)— before I say “enough!” and call it done. Many of the pictures have changed substantially since I began the deck. My style has become more refined and detailed. That is what happens when a project takes so long.

 

Because the pictures are drawn in vector graphics, the originals can be blown up infinitely large without losing definition. There are no pixels. Often times, when I am drawing an eyeball, it will take up my entire computer screen. That is how close I work.

 

The purpose of this blog is to gain a better understanding of the cards
that I might better be able to explain the images in my deck
and someday write a little book.