
The Handshake
I met Willis in a bar in Fairbanks, Alaska. We were both finalists at a poetry slam and mutually curious of one other through the stories told by friends. “Will you live with me?” he asked. I don’t remember if there was prior conversation; he had not yet sat down at my table. I replied “yes” with little hesitation. Perhaps I took the question a bit more seriously than he had meant it.
I found a house for us: a giant, uninsulated box with a heater in one downstairs room and no running water. Pipes would never have survived. Two winters prior, four acquaintances of ours had lived there and nick-named it “The Icebox.” Three women lived upstairs and a man named Jon lived downstairs— for the most part— in the front room. Using “prostate issues” as his excuse, he pissed in apple juice jugs. When the jugs froze in his room, he left the juice-colored contents on the kitchen counter to thaw. Willis and I kept our bicycles in Jon’s old room. Both of us biked everywhere, year round. Due more to obsession than lack of money, neither of us owned cars.
When we moved in, there was an empty paper towel roll on the holder in the tiny kitchen. It is immortalized in the background of a photograph I took of Willis playing guitar in the dim light of the television. The empty tube remained until we moved out. Neither of us generated any trash to speak of. Although we were similar in many ways, I will never know if he adored me half so much as I adored him or if he merely found me curious and unannoying. We seldom spoke. We never argued. I adored him.
It was in this house, in the large, unheated upstairs room, where I illustrated a good number of tarot cards. I worked in thick insulated camp boots, a hat, fleece pants over long-johns, a few long sleeve tops and a fleece jacket. My hands were cold. I was working on the Four of Sticks: agreement, contract, good communication, ceremony or rite, harmony, community. I did not want to illustrate a definitive celebration, such as marriage; I wanted to leave the context of the agreement open to interpretation. Thus, I settled on a handshake. Many deals have been sealed and many great things have been settled on a handshake.
As it was eleven years before I would live in a house with internet, reference was not easy to come by. I eschewed models. The handshake was giving me unusual trouble. I had been working on it for perhaps over an hour when Willis came home. I stood as he came up the stairs.
“Willis?” I called, hesitantly. Truly, we never spoke.
“What,” he said, and came into the room.
“Will you shake my hand?” I asked. He held out his hand and I took it (I touched him!). He looked at me curiously for the half-second it took me to examine the placement of our fingers. I let go, hoping it would be enough. “I need to draw a handshake,” I explained.
He grunted some understanding sound and went off to go about his business. I sat down immediately to draw before the image of our clasped hands faded from my mind. I need not have hurried; the mental image of that painfully shy, awkward moment remains forever burned into my retina.
Perhaps due more to his good graces than to mine, we lived harmoniously together and parted peacefully. We lived on that handshake: the Four of Sticks.


Fives represent conflict and change. They were some of the most difficult cards for me to illustrate. Nearing the end of my deck illustration project (only two more years to go!), I was left with all four Fives (Five of Sticks needed to be highly revised), four Kings, four Knights, the Seven of Coins, the Eight of Blades, Seven of Sticks, the Two of Sticks, the Three of Blades and Judgment, with the Eight of Cups requiring some major revision.
When I first began illustrating this deck, I had no overall knowledge of the tarot deck. The cards seemed to all have random and varied meanings. I searched through one deck after another looking for cohesiveness. I couldn’t always see how the meaning of the card was depicted in the image, and many of the images within a single deck seemed incredibly similar. I was ignorant, of course. Sometimes wonderful new things come of ignorance. Other times, experienced people are just confused by the ignorance of others. I hope my deck contains more images which evoke the former sentiment (wonder) rather than the later (confusion).
This was one of the earlier cards I illustrated.
The hanged man sacrifices himself
Artist: Jessica Shanahan

