Sunday, March 25th, 2012

Ocho de Bastos — Tarot Lukumi

Luigi ScapiniArtist: Luigi Scapini

Author: Tata Emanuele Coltro Guidi

 

“Oya and Chango, even if they are sweethearts, always quarrel with each other. Chango, after a terrible quarrel, shows her a cut head of a goat. Oya, very bored, shows him a dead’s skull, and Chango disgusted goes away, sending many lightenings, representing his rage, to the world.”

 

“Too much force applied too quickly,” writes Robert Wang. It is like a bomb going off. People react before they think about what the other person said or did or know what the other meant. The lord of swiftness acts in haste. After an argument we have to go back and think about what we were arguing about. What went wrong? Oya and Chango do not know how to communicate properly. Perhaps it is merely because they are man and woman. Man and woman communicate differently and expect different things out of a relationship. What one sees as flattery the other sees as overbearing.

 

Every interaction between two people is a relationship to some degree. The more interactions two people or two groups of people have, the more meaningful the relationship. A meaningful relationship can be volatile— such as Oya and Chango’s, or the relationship between waring countries, or the relationship between two drivers caught in rush-hour traffic— or it can be calming. Most often, there is a mixture of the two: though a volatile couple, Oya and Chango are primarily lovers.

 

Near the beginning of any voluntary relationship, it is healthy to gravitate towards calming relationships and shy from those that make us uneasy. Too much force applied too quickly results in broken friendships or friendships that never get a chance to start. Because communication is both cultural and personal, there is no way to eliminate miscommunication. Both parties need to slow down, back off, and try to learn the other’s ways if they wish to get along.

 

I love this deck.

Saturday, March 24th, 2012

Queen of Wands — New Age Tarot

Walter Wegmüller

Artist: Walter Wegmüller

this Queen took me in

(her arms) and said—

 

I am your

ALAKAZAM!

 

let’s go

EVERYTHING

together!

 

and we did and

we did thus

completely

she leading me and we

talking all the way like

women talk

because

I needed her to be there

and she

was

Friday, March 23rd, 2012

The Tree of Life — The Golden Dawn Tarot

Robert WangArtist: Robert Wang

 

What is agreed is that it is hard to clarify with any degree of certainty the exact concepts within Quaballah or the spelling of the word. There are several different schools of thought with very different outlooks; however, all schools of thought and spellings are accepted as correct.

 

I traded for this new deck. I consider it a gift. Thank you! I took out the cover card, shuffled the cards thoroughly, and drew— the Tree of Life. This is not a tarot card. It is included to help the reader relate each of the major arcana to the letters of the Hebrew alphabet. I should have removed it, but I did not know it was there. Nonetheless I drew it after just yesterday announcing I don’t understand the connection between Qabalah and tarot.

 

Today I learn: Kabbalah is associated with tarot because it has been so ever since the Order of the Golden Dawn drew up such associations. A man by the name of Court de Gebelin was the first to draw up connections between the 22 trump cards and the 22 letters of the Hebrew alphabet. Eliphas Lévi expanded on this idea.

 

What I did not realize in my hesitancy to study anything “too esoteric” is that the “commonly” accepted meanings of the tarot cards— those meanings which I have tried to interpret in my illustrations— were assigned based on Golden Dawn correspondences between: the Four Worlds of the Qaballah, the four suits of tarot cards, the 22 letters of the Hebrew alphabet, and the 22 major arcana. This makes comprehension of the tree of life integral to a simplified memorization or understanding of the common meanings assigned to tarot cards. It makes me (finally!) want to understand the tree of life and its correspondences— not because I believe that the Kabala is innately connected with what happens to be one of a number of variations of decks of cards initially designed for gambling— but because these correspondences are integral to the langue used to define the occult meanings the cards.

 

“The Founders of the Golden Dawn system appreciated that divination is nothing more (or less) than the effect of focusing attention on what would otherwise be a random distribution of variables, with the thought of some question, person or situation in mind. Theoretically, the intention stimulates the unconscious in some mysterious way, and in some equally mysterious way, the position of the variables under consideration is presumably affected. The variables could be bits of crumpled paper thrown down a flight of stairs if there were some initial decision made about what the landing order might mean.” —Robert Wang, An Introduction to the Golden Dawn Tarot

Thursday, March 22nd, 2012

The Fool — Tarot of the Absurd

Jessica Rose Shanahan ‘If the fool would persist in his folly he would become wise.’ —William Blake

 

Zero is the cardinal number of the empty set and the additive identity of real numbers. It is important in field theory and it is part of every basic algebraic structure by definition.Without zero and the ideas contained in the notion of identities and inverses there would be practically no modern mathematics and physics.

 

The occult tarot and other metaphysical systems use allegorical significance of numerals rather than mathematical significance of numerals. Metaphysics uses the notion of identities and inverses in a philosophical manner to describe abstract concepts undefinable by means of mathematics. Mathematicians define a (seemingly) completely different set of abstract concepts using the same symbols.*

 

‘Only two things are certain: the universe and human stupidity— and I’m not certain about the universe.’ —Albert Einstein

 

The greatest problems in communication occur when people agree on the symbol used but cannot agree on the abstract concept defined by the symbol. Symbols in and of themselves have no intrinsic meaning: in every case, the meaning of the symbol is defined by the viewer. In order to facilitate communication, we try to agree on the meaning of a symbol.

 

At times this meaning is dictated by society. A large red octagon with a white outline means “stop,” although nothing intrinsic to red-octagon-with-white-outline implies “stop.” It is merely the meaning we have given a rather arbitrary symbol in order to help prevent accidents. In a city, choosing to believe that the octagon is not a symbol for stop may result in injury or death. On a deserted road, the octagon quite often takes on the meaning of “look both ways.”

 

‘The wise through excess of wisdom is made a fool.’ —Ralph Waldo Emerson

 

There two kinds of people (there are many kinds of “two kinds of people”): those who define symbols and those who more-or-less follow definitions. Definers-of-symbols are often great thinkers and philosophers or at least great leaders, however—

 

“Any fool will make a rule, and any fool will mind it.” —Henry David Thoreau.

 

So what is to prevent us from redefining the entire set of symbols and numbers used in the occult tarot? What is to prevent us from introducing an entirely new set of symbols and numbers to please our fancy? Nothing, other than the fact that this habit tends to frustrate communication. Historically, this has been done time and time again. Each religion defines its own set of symbols and defends this set’s concepts as true.

 

‘Those who wish to appear wise among fools, among the wise seem foolish.’ —Quintilian

 

In illustrating my own deck, I needed to determine which symbols meant something to me, which symbols meant nothing to me, and which of my own personal symbols I thought significant enough to introduce into the deck. Unfortunately for those who favor such correspondences, my thought patterns prevent me from incorporating the symbols of astrology, runes, quaballah, numerology, and other commonly associated esoteric systems into my deck. This can make my deck difficult to “read,” if one is used to working within “traditional” tarot systems. I apologize. For me, the endeavor of creating a deck was a beautiful journey of personal exploration and artistic expression. I am grateful to all who adore the fruits of my labor. Thank you.**

 

‘The fool doth think himself wise, but the wise man knows himself to be a fool.’ —William Shakespeare

 

*I am neither a mathematician nor a metaphysician.
**Today’s undiscussed question was, “When will my baby be born?”

Wednesday, March 21st, 2012

Seven of Cups — Victorian Trade Card Tarot

Marcia McCordDeck by Marcia McCord

 

This Seven of Cups depicts an apothecary mixing medicines with his gigantic mortar and pestle. His own chosen potion peeps from the back pocket of his pants.

 

The occupation of apothecary dates from some of the earliest written records— at least 2000BC in Egypt— through the 19th century. In addition to selling medicinal compounds, he offered medical advice and services now performed solely by medical specialists. The apothecary is mentioned in the King James Version of Exodus Chapter 30 verse 25: “and thou shalt make it an oil of holy ointment, an ointment compound after the art of the apothecary: it shall be an holy anointing oil.”

 

The Oxford translates this same chapter: “and you shall make of these a sacred anointing oil blended as by the perfumer; a holy anointing oil it shall be.” A perfumer is an artist trained in the concepts of fragrance aesthetics, capable of conveying abstract concepts and moods with fragrance compositions. The word perfume comes from the Latin “per” meaning “through” and “fumus” meaning smoke: the first form of perfume was incense. Perfume was initially developed to attract the goodwill of the gods. For many years, perfume use was restricted to religious ceremonies performed by priests— and to the very wealthy. This gives the Seven of Cups a bit of a smoke-and-mirrors feel I associate with it.

 

Both the perfumer and apothecary were chemists, the difference between the two occupations being historically nebulous at times. Both perfumer and apothecary used potions in attempt to bring dreams into reality: dreams of health, dreams of heaven, dreams of love.

 

With every dream, there is a risk of illusion. Those prone to intoxication and escapism have no clear boundary between reality and fantasy and thus fall easy prey to the claims of the snake-oil salesman. The goal to distill the workings of a highly-developed imagination from the substance of every day life.

Tuesday, March 20th, 2012

The Hanged Man — Pearls of Wisdom

Pictures & Words: Roxi Sim & Caeli Fulbrite

 

This is one of those decks about which I read, “I really wanted to love this deck but I found it so cluttered.” I would not complain about the clutteredness. I would complain more about the fact that every face has the same smile and that the quantity of curls and spirals in the bodies makes them look like articulated mannequins. It is difficult for me to see beyond that to other details, such as the fact that much of this card is upside-down. In the background, the water is the sky and the upside-down mountains are reflected therein. The potted plants in the upper corners grow inverted. This gives the impression of leaves falling upward.

 

“How will I fare in business?” I ask, and draw The Hanged Man. I am immediately tempted to throw it— hide it in the middle of the deck— deny my draw in one way or another— maybe use another deck altogether— but I manage to control myself. What can I learn from this card?

 

The Cute Little Book that comes with this deck tells me:

“The surrender to water, representing the deep emotional content buried in the subconscious mind and made available to consciousness through the shock and exigency of the situation, opens the way for new wisdom and transformation while in physical form.¶

 

“The Hanged Man, though bound, is available to the totality of the experience. He is free from fear of loss. Able to sense the fullness of his own divinity, he is emancipated. In that sensing, all the exigency of sacrifice and difficulty is lost and forgotten. What is left is the wisdom and knowledge of who he is and who we all are. ¶

 

“The snake reminds him that the shedding of skin, though difficult, brings beauty and blessings. Paradise is wherever you are, not a place from which humans are exiled because of stolen knowledge. Knowledge that leads to wisdom is ours by right of being human.”

 

So, how will I fare in business? I have always been terrified of doing business for myself. There are too many decisions to make. If the business fails, I am a failure. I don’t want to be a business person because I want to be a _____ (fill in the blank). Sheer terror! Running my own business has always been the most unappealing thing I could possibly do.

 

Whether or not I am going into business for myself is not a question I am asking at the moment: to a certain degree, every artist or writer is in business for his or herself. I cannot be successful at what it is I enjoy doing if I remain too timid or lazy to market it. In order to be successful at business, should that be what I choose to do, I need to shed the skin of fear that surrounds what I believe I can and cannot do and perhaps even my ideas of what I like and do not like to do.

 

While it is relatively easy to invert my body and gain a different perspective on the world around me, it is a bit more difficult to gain a new perspective on my own self. No matter which way I turn, my own body still appears in the same orientation to my eyes. Perhaps the first step would be to stop reciting an old mantra sculpted of the primordial clay of my formative years: “You will never be successful as an artist. You will never make money as a writer.” Although it is true I do not personally know any “successful” artists or writers, it would be failure indeed to spend my entire life refusing to give myself a chance at following my heart because I have labeled myself doomed to failure from the start.

 

The Hanged Man need not hang his own heart in preemptive failure.

Monday, March 19th, 2012

Three of Cups — The Lovers Tarot

Jane LyleArtist: Oliver Burston
Book: Jane Lyle

 

Although I am not a fan of the Lovers’ Tarot per se (see my previous rants here and here), I generally like what Jane Lyle has to say about cards even if I was sarcastic last time and critical about the art the time before.

 

Because I am using the Lovers’ Tarot, and because I do not particularly like asking questions, I recite “I love my baby” over and over while shuffling this deck then draw a card: Three of Cups, reversed.

 

Three of Cups says:

Cup, cup, & cup: joy, laughter, & celebration. Positive energy brings on positive energy. Be careful about over-doing the celebration, tho, Barefoot (& Pregnant) Fool: you know you’re prone to over-eating, and it doesn’t help any.

 

B. Fool hides her dish of food behind the computer screen & wipes her hands on her pyjamas.

 

Three of Cups continues:

And watch that spending because— income? what income? If you’re going to spend money, try to classify the expenditures as investments or necessary. For example, how many new tarot decks do you really need?

 

The Fool gets defensive and cries:

Investment! Necessary! Support the Arts! I promise to forego adding to my striped-wool-sock collection! —Tho if there are really cute ones in baby sizes, they’re technically not for me.

 

Three of Cups rolls three gold eyes & has the final word:

It is possible to have fun while remaining balanced. Be honest with yourself and with your partner. Eat green vegetables in addition to chocolate. Cook for your lover and eat together. Do some yoga tomorrow, go for a short walk, and it will feel good. Admit your accomplishments. Love your friends. Enjoy these fat and happy days. Life will change in a minute.

Sunday, March 18th, 2012

Two of Cups — Tarots Oreste Zevola

Artist: Oreste Zevola

 

Excellent! Two of Cups again. I admit, I still find this deck’s artwork slightly unnerving. My younger sister, who is still visiting, points out that that the cups are smiling and that it’s not their fault if they have pointy teeth. I don’t want her to leave, but I haven’t told her so. Perhaps she will only find out if she happens to read my blog. Before tomorrow. Morning. She is my Two of Cups buddy.

 

Connect
with another—
in union
in friendship
in partnership
in working
in sharing
in helping
in seeing how
two are the same.

 

Make peace
in a relationship.
Opposites
are gone.
Agree
and forgive
and forget.

 

Bond.
Accept.
Drawn in.
Move forward
together.

 

 

 

 

Saturday, March 17th, 2012

Ace of Swords — Tarot of a Moon Garden

Artist: Karen Marie Sweikhardt

 

This is one of those decks I got because it was on sale. I decided I didn’t care about it, so I brought it to all the wet and messy places I went. I’d learned my lesson with a precious deck. Unfortunately, because we’ve spent so much time together, I’ve formed a bit of an attachment to this deck. I still don’t particularly care for it, but I use it a lot. I mean, more than others.

 

I like reading deck reviews where people comment on whether or not they like a deck and how it makes them feel and how accurate the readings they get from it are. I always find it interesting when people say that they don’t like a deck but they find it gives accurate readings. I’m too inexperienced to make such assessments. I don’t particularly enjoy asking questions. I do like thinking about something that’s on my mind and seeing how it relates to a card I draw. Maybe someday I’ll be more advanced.

 

I am still thinking about publishing my deck. I draw the Ace of Swords. This is a card of pure intellect and great mental clarity. Whether those powers are to be put to good or ill is up to the one who holds the blade.

 

I hold the blade

to my forehead—

one side good

and one side ill.

 

I tap the blade

upon my brow.

I tap the blade

upon my brow.

I tap the blade

upon my brow—

Friday, March 16th, 2012

Four of Wands & Two of Cups — Napo Tarot

My younger sister was willing to pick a card, although she was not willing to ask a question. She likes this deck. I asked her what the picture made her think of. She said, “Not a thing.” I think it’s great that she specifically does like the colors and shapes of the deck but attaches no meaning to the image because it is too abstract. I have trouble liking something that I find too abstract to attach meaning to.

 

Interpretation: “Completion of work. Activity at a standstill, work unresolved. Union of equal forces.”

 

I need to make a story for everything. Sometimes, the story is particularly boring. These people are cheerleaders, shaking their pom-poms of fruit and leaves because they are happy to be done with what they set out to do.

 

I need a clarifying question, as it is obvious to me that neither my sister nor I are accomplishing what we mean to be doing. “What is the purpose of procrastination?” I ask, and draw the Two of Cups, reversed.

 

Interpretation: “Love, affection, relationship, courtship, friendship, marriage, pleasure, joy.”

 

Procrastination happens when we do not love what we are supposed do and therefore we put off the task at hand by doing something we love to do more.

 

•   •   •

 

I somewhat do not like this deck, perhaps because the Little White Book totally sucks. The introduction starts out, “Argentina is a country brimming with esoteric possibilities. Our aboriginal mythology, rich and profound, always skirts around mystery, destiny and hope.”

[…and finishes…]

“Bringing this deck of cards to the public is the satisfying result of a search for inner symbols. The Tarot cards came out of my imagination, and the drawings by Napo came as a result of the knowledge of the cycles of life. We thus immerse myth in history and find the same meanings, the same question, as in the Tarot of the Middle Ages.”

 

Unfortunately, there is nothing in the book about what the esoteric possibilities of Argentina are, little mention of mythology or explanation of the symbols she used, no talk of what came out of her imagination, no mention about how she and Napo worked together, nothing. Mystery becomes uninteresting when there are zero clues. I’m glad she found her inner symbols. I am sure others of her culture understand the symbols of this deck better than I do. But because she does not help me relate, her symbols do nothing for me. Either that or I’m just grumpy because I’m really sleepy.