The World — Tarot of the Absurd

Tuesday, July 24th, 2012

 

Fool World Tarot

 

How the Fool had a Grand Misunderstanding, Became Unblinded, and Learned to See the World

 

Initially, I wanted to illustrate the World through lack of illustration, the point being that the world is endless, its boundaries are indefinable, its existence is inescapable. Ultimately I decided not only would it be a very boring picture, it would be doomed to misinterpretation by people who take it to mean that I believe the world does not exist.

 

Nonetheless, the card remained illustrated through lack of illustration due to a lazy muse for many years. Then, many years after reading some general directions on playing the game of tarot, my muse struck (ouch!) via poor memory and misunderstanding the rules of the game.

 

A brief explanation of tarot gaming, via Ronald Decker, Thierry Depaulis, & Michael Dumett. A Wicked Pack of Cards: The origins of the occult tarot.

 

“All Tarot games are trick-taking games, in which the cards we have been calling ‘trumps’ indeed play the role of permanent trumps. A player who has the lead to the first trick… may play any card of his choice to the table. Subsequent players… must follow suit if they can, that is, play a card of the same suit as that led, or, if they cannot follow suit, must play a trump; they must play a trump if a trump was led. Only one who cannot follow suit and has no more trumps in his hand is free to play any card he likes. If a trick contains no trump card, it is won by the highest-ranking card of the suit led; otherwise, it is won by the highest trump played to it. The Fool or Matto does not count as a trump; it cannot win a trick, but by playing it the player is released from the obligation to follow suit or to play a trump. It is not normally captured with the trick to which it was played; the player from whose hand it was played takes it back and adds it to the cards he has won in tricks… The object of the game is not merely to win tricks, but to win points on the cards taken in tricks: different cards have different point-values, although all have some value. (The Fool has a high value.) These are only the basic principles…”

 

My misunderstanding was multi-fold:

 

Jessica Shanahan

 

Thus, via my Grand Misunderstanding, the Fool, when played, takes the World, but adds no value to it. “Brilliant,” I thought, “the Fool takes the World!”

 

Blinded, nothing makes sense. Unblinded, things fall into place and the Fool becomes one with the World and its situation. When the Fool gains vision, he sees that he is not the center of the World. Indeed, the World (as opposed to the Earth) has no center: it is an infinite unity that extends in all directions and encompasses all there is.

 

The World signifies completion, achievement and fulfillment. The Fool, unblinded, is able to see the system for what it is and understand his place within that system. Knowledge of the World implies a deeper understanding of one’s effect upon one’s environs and the environment, and the effect of one’s environs on one’s self. The World indicates a feeling of unity and wholeness. As things fall into place, and the Fool becomes ‘one’ with his situation. The Fool, no longer fooled, becomes an embodiment of the World.

 

Thus, the Fool takes the World.

 

Despite the fact that I misunderstood the rules, they are perfectly viable rules provided all players play by rule #1: players must agree upon the rules before commencement of the game.

 

The dog gains his bone and the Fool, unblinded, gains the World.

 

 

 

Four of Sticks — Tarot of the Absurd

Saturday, July 21st, 2012

Four of Wands

 

The Handshake

 

I met Willis in a bar in Fairbanks, Alaska.  We were both finalists at a  poetry slam and mutually curious of one other through the stories told by friends. “Will you live with me?” he asked. I don’t remember if there was prior conversation; he had not yet sat down at my table. I replied “yes” with little hesitation. Perhaps I took the question a bit more seriously than he had meant it.

 

I found a house for us: a giant, uninsulated box with a heater in one downstairs room and no running water. Pipes would never have survived. Two winters prior, four acquaintances of ours had lived there and nick-named it “The Icebox.” Three women lived upstairs and a man named Jon lived downstairs— for the most part— in the front room. Using “prostate issues” as his excuse, he pissed in apple juice jugs. When the jugs froze in his room, he left the juice-colored contents on the kitchen counter to thaw. Willis and I kept our bicycles in Jon’s old room. Both of us biked everywhere, year round. Due more to obsession than lack of money, neither of us owned cars.

 

When we moved in, there was an empty paper towel roll on the holder in the tiny kitchen. It is immortalized in the background of a photograph I took of Willis playing guitar in the dim light of the television. The empty tube remained until we moved out. Neither of us generated any trash to speak of.  Although we were similar in many ways, I will never know if he adored me half so much as I adored him or if he merely found me curious and unannoying. We seldom spoke. We never argued. I adored him.

 

It was in this house, in the large, unheated upstairs room, where I illustrated a good number of tarot cards. I worked in thick insulated camp boots, a hat, fleece pants over long-johns, a few long sleeve tops and a fleece jacket. My hands were cold. I was working on the Four of Sticks: agreement, contract, good communication, ceremony or rite, harmony, community. I did not want to illustrate a definitive celebration, such as marriage; I wanted to leave the context of the agreement open to interpretation. Thus, I settled on a handshake. Many deals have been sealed and many great things have been settled on a handshake.

 

As it was eleven years before I would live in a house with internet, reference was not easy to come by. I eschewed models. The handshake was giving me unusual trouble. I had been working on it for perhaps over an hour when Willis came home. I stood as he came up the stairs.

 

“Willis?” I called, hesitantly. Truly, we never spoke.

 

“What,” he said, and came into the room.

 

“Will you shake my hand?” I asked. He held out his hand and I took it (I touched him!). He looked at me curiously for the half-second it took me to examine the placement of our fingers. I let go, hoping it would be enough. “I need to draw a handshake,” I explained.

 

He grunted some understanding sound and went off to go about his business. I sat down immediately to draw before the image of our clasped hands faded from my mind. I need not have hurried; the mental image of that painfully shy, awkward moment remains forever burned into my retina.

 

Perhaps due more to his good graces than to mine, we lived harmoniously together and parted peacefully. We lived on that handshake: the Four of Sticks.

Five of Sticks — Tarot of the Absurd

Sunday, July 15th, 2012

5 of wandsFives represent conflict and change. They were some of the most difficult cards for me to illustrate. Nearing the end of my deck illustration project (only two more years to go!), I was left with all four Fives (Five of Sticks needed to be highly revised), four Kings, four Knights, the Seven of Coins, the Eight of Blades, Seven of Sticks, the Two of Sticks, the Three of Blades and Judgment, with the Eight of Cups requiring some major revision.

 

I took this to mean that I had some underlying conflict with men.

 

After I realized that Judgment was my own, not that of some great angel coming down from above to pull me from my coffin, I then knew, too, that any broken heart was of my own doing and if I was to remove the blades it was to be done with my own hand. I drew the images: Judgment, Three of Blades.

 

Meanwhile, a friend’s husband (a.k.a. a friend) gave me the assignment of writing a profile for a personals ad. Online-dating-service, I guess they call them. Ho, hum. So I did. It was kinda silly. I’m really introverted, and probably my profile came across as kinda introverted, but I met a few men and learned who Knights are, so I drew all my Knights and the Eight of Blades.

 

A year later, my partner moved in with me. I drew the Seven of Sticks, then the Two of Sticks. I revised the Five of Sticks. I drew the Five of Coins. I drew the Five of Blades. I fixed up the Eight of Cups in celebration of my partner’s divorce. I drew the Five of Cups. I drew the Seven of Coins. I was quite pregnant. I drew the Kings: Sticks, Blades, Coins, and the grand finale, King of Cups. Then I had a baby.

 

*   *   *

 

I learned the Five of Sticks as a foolish battle, thus I drew fools, battling in a precarious balance, wearing impractical footwear and jesters’ caps. The battle is foolish because every one talks at once. The people might even be in agreement, speaking only with slight subtleties of nuance, but no one would know because no one is listening. They are all to self-important. The argument fails to move along.

 

We must learn to listen to each other and to listen to our own selves. What are we really saying? We kneed to accept the inevitable differences and channel our energy in a manner that turns competition into cooperation. Change is inevitable. We can work together to try to find a change that is perhaps not exactly what we wanted, but something we can accept and maybe, someday, even learn to enjoy.

Four of Cups — Tarot of the Absurd

Monday, July 9th, 2012

4 of cups tarotWhen I first began illustrating this deck, I had no overall knowledge of the tarot deck. The cards seemed to all have random and varied meanings. I searched through one deck after another looking for cohesiveness. I couldn’t always see how the meaning of the card was depicted in the image, and many of the images within a single deck seemed incredibly similar. I was ignorant, of course. Sometimes wonderful new things come of ignorance. Other times, experienced people are just confused by the ignorance of others. I hope my deck contains more images which evoke the former sentiment (wonder) rather than the later (confusion).

 

When I finally came to understand this card, it meant boredom or dissatisfaction with the status quo. The women in the image are disengaged, apathetic, disappointed, and unmotivated. There is little that excites them. They have become withdrawn and sulky, stubborn, ungrateful and self-absorbed. They neglect the needs of others and think only of their own wounds.They are falling out of connection with society. They wallow in self-imposed isolation. They have dropped their glasses. Their psychiatrists have diagnosed them as depressed.

 

In order to overcome this situation, they need to be alert and open themselves to new experiences. It is time for them to turn inward & examine their own minds to find out what disturbs them and to gain clarity. Research and meditation may wake up their minds. Exercise, fresh air, and healthy food are also useful.

 

Do not let time slip away! Life is precious. Nurture it. Take note of every-day abundance. Notice what you have. Open your eyes and be thankful!

Death — Tarot of the Absurd

Wednesday, July 4th, 2012

This was one of the earlier cards I illustrated.

 

I was trying to show how death is a part of life: how our death is born the moment we are born and it grows with us. We look at death each day and it grows so familiar, we often forget its power and take needless risks. But risk is exciting! Touching Death is thrilling!

 

The curve of the large snake’s head forms an infinite loop with the moon, signifying the endless cycling dance of Death and Birth. I liked it well enough, but it was not until I realized that Death is also a part of Death that I added the skull and the card felt complete.

  DEATH
Withdraw this corpse—
this footprint— this echo—
this last dissolving trace
of some self-ceased situation.
Back implies front.
Poles of the magnet
appear at different times.
Each birth necessitates
a new life’s end.
A pendulum swings—
at the apex of each turn
perpetual movement
hesitates to a stop.
This turning point challenges
patterns in time
and patterns in space
and patterns in patterns.
Patterns in patterns.

 

 
More words on the subject:

Death is an esoteric concept whose ultimate meaning is unveiled only to the dead. Death is part of a perpetual movement. Death is what one makes of it— disillusion, renunciation, termination, fermentation, decomposition, transformation, initiation, incarnation, new beginning, new illusion. Death will only cease with the cessation of all life. Death is seldom a hooded figure with a scythe going chop-choppity-chop, although a hooded figure with a scythe going chop-choppity-chop will most always be death to those who dare stand in challenge of its power. Be aware of hooded figures bearing scythes, ravenous man-eating pythons, and falling anvils.

Hanged Man — Tarot of the Absurd

Thursday, June 21st, 2012

il penduThe hanged man sacrifices himself
for some purpose greater than his own well-being.
A willing victim of his own up-ended perspective,
he pushes aside the popular opinion,
forsakes the temptation of easy gratification
and goes without things commonly seen as “needs”
in attempt to open others’ eyes
to a different world view.

 

A martyr to some is a traitor to others;
a thief to some is a savior to others.
Bear witness to your true beliefs:
Which side are you on?

 

*   *   *

 

I went to the printer’s with my 80 files: 78 cards plus the extra moon plus the silly copyright card. The silly copyright card will be numbered (1 thru 600) and signed, but I’m not going to let you know all the silly words.

 

I’ve never gone through the process of putting something in print format for the printer before. I needed to make all the files the exact correct dimensions (7cm x 12.5cm) and add bleed and crop marks and make sure the color was correct. Tedious.

 

I hear the millions (I wish!) asking, “What color?” Oh, if only I could have known before-hand that files need to be in CMYK for print and RGB for screen. For some mysterious reason (feel free to enlighten me in great detail if you know), RGB black does not translate to the same black as CMYK black. Now that I’ve re-learned my lesson the hard way, I recall being told something to that effect a dozen years ago.

 

Anyhow, all my files were printing some horrible muddied black. I am a person of muddy grays in theory, but I wish the pigment on these cards to appear BLACK BLACK BLACK BLACK BLACK.

 

The upshot is, I should get to see a proof sometime next week. Yahoo! After I measure how thick the stack of cards is, I will design a box. The box will not be a regular tuck box, because my printer does not have a die to cut them out and I do not wish to cut out 600 boxes by hand (why not? who knows!) so I am making my task even more difficult by having a partly printed, partly handmade box. Thus, no two boxes will be exactly alike.

 

If anyone is interested in a copy, do feel free to let me know (see the contact info) and I will keep track of you in a very organized manner and let you know when it is ready.

 

You notice I have not yet mentioned price. This does not mean they will be free. It means I detest setting prices. Ultimately, it will be the low-average price for a LE self-published deck, which is $41 including shipping in the US. Assuming the box is not too much work…

 

*   *   *

 

Happy Summer Solstice!

Six of Cups — Tarot of the Absurd

Saturday, June 2nd, 2012

6 of cups meaningArtist: Jessica Shanahan

 

Like unripe fruit, memories sweeten with age. Like fine wine, they leave a complex mingling of flavors on the tongue. The Six of Cups is a card of sweet remembrance of things gone by. It is possible to drink from the cup memory to the point of intoxication and delusion.

 

When we think we remember something correctly, we must remind ourselves that the contents of the mind are fluid. Beginning at the moment of occurrence, memory of events changes over time. Each one of us— each body— views an event through the filter of our past experiences. Unfortunately, there is no unbiased bank of memory for us to draw from. There is no unbodied observer, completely devoid of experience, with whom we can consult about what really did happen. Each of us sees an event from a slightly different angle, from a slightly different body, from a slightly different mindset. Our memories are skewed by emotion and circumstance. Visions of the past are as plentiful and as varied as visions of the future.

 

The people on the Six of Cups card descry knowledge of the past by reading tea leaves. Photo albums, journals, scrap-books, stones and driftwood, animal bones, stars and layers of soil, tree rings and faerie rings, a scattering of ashes, the shapes of clouds, a crystal ball, history books, faerie tales, or Tarot cards could all be used for the same purpose. The past is just as certain as the future. Perhaps this card could be seen as a reminder to remain present.

The Two Moons of the Tarot of the Absurd

Friday, May 11th, 2012

Jes Shanahan

Artist: Jessica Rose Shanahan

 

Strange things happen by the light of the Moon.

 

The Moon shines light on the inner demons of the unconscious—
giving life to the shadow self’s distorted vision—
a moon-shadow landscape of illusion
where dream and reality swirl— undifferentiated—
where the self wanders bewildered and aimless—
anxious and mad— into the arms of deception.

 

When illustrating the cards in this deck, I incorporated the meaning of the card with a few traditional symbols together with a few symbols of my own into an illustration that attempts to embody the concept of the card intuitively. The conveyed meaning is based largely on posture and human expression rather than on the basis of occult symbols. What allowed me to do this relatively freely was largely my ignorance of the sacredness of symbols in the occult tarot. However, artists invariably have personal symbols that come through in work. Thus the cards— like any work of art— are not devoid of symbols. The symbols are merely different. My goal was to offer a new way of looking at looking at an old idea.

 

When illustrating the Moon I thought, What is the most deceptive thing? My conclusion was that the most deceptive thing is a creator who brings something into this world and endows it with the faith that it will be loved and cared for and protected fully— then from within the realm of confidence of its creation, the creator becomes destroyer. I illustrated this as a mad mother consuming her own child: the ultimate deception. It is a disturbing image.

 

This action can be seen overtly in cases of child abuse. However, it also occurs small-scale in every-day relationships. We let people down. Despite our best efforts, we are imperfect mothers, friends and lovers. We deceive and destroy even our own selves. This inevitability begs the question, Who is more greatly deceived in this relationship: the creator or the destroyed?

 

Upon becoming a mother myself, I find this image more and more disturbing and have found it necessary to deceive myself anew. Thus, I drew a second Moon. The second Moon contains not only the illusion that my creation will have the ability to wander into the wilds unarmed and sleep with the wolves, unharmed, but that I myself will be the perfect mother, able to produce such a miracle. This comforting illusion occurs when we refuse to take off the veil of deception and witness reality.

 

Unfortunately, although this is the more comforting image, the refusal to see reality ultimately does more harm than good. Facing the truth of one’s destructiveness allows us to better our actions. Choosing some comforting illusion allows us to be lead blindly by our own inner demons into the deception of dreams.

 

Which Moon you choose is up to you. I leave them both in the deck.

Verso — Tarot of the Absurd

Friday, May 4th, 2012

I drew a picture for the back of the card.

I have recently come to the realization

that many things in life have the ability to wait

but a newborn is not one of them.

I do hope to get my deck printed relatively soon.

Please check up on me now & again!

Ace of Sticks — Tarot of the Absurd

Thursday, April 12th, 2012

Jessica Rose Shanahan

The Events of April 5th, 2012
A Birth Story

 

My contractions began around 10am, possibly earlier. Around 11am or so I drove to a local printer. He gave me a tour of the shop. We talked about paper quality, different inks, and ways to lower the cost of printing my tarot deck. Every once in a while as we were talking, I would have a contraction. When the shop owner asked me a question I would give a delayed, thoughtful answer beginning with “Um, well, I think…” and wait until the contraction was over until actually thinking. I was there for an hour or so.

 

I went home, took a walk, called some friends, did a few loads of laundry, then called a very close friend on the phone. She’s quite wise in the ways of childbirth. After we talked on the phone for an hour or so, I finally mentioned to her that I was having contractions every five to ten minutes. I didn’t mention it was more often five than ten, and that it had been this way for a few hours. That was about 3pm or so.

 

My friend said, “That’s great!” She mentioned that, at this time of day, I might not have the baby. Possibly I’d just have contractions on and off throughout the night and I’d have the pleasure of trying to sleep through them. “But you should do something you really want to do,” she said, and listed a number of possibilities, none of which really appealed to me. I didn’t want to have to think about what I was doing.

 

“I really just want to talk on the phone with you,” I said. So we talked for a while longer— we really can talk for hours about nothing or anything at all— and at last agreed there were things we needed to do.

 

Four o’clock or so I wrote my boyfriend at work to make sure he still wanted to have a baby. I didn’t mention the contractions. Martin wrote back to say he was up for it.

 

Around five-thirty I went for a walk and met Martin as he was driving home. He pulled over and I got in a bit stiffly, in the middle of a contraction.

 

“Are you in labor?” he asked.
“Not entirely,” I replied.

 

At home, I began to pace furiously. There were a dozen things to do. The secret code for when to call the midwife is 5-1-1: contractions five minutes apart lasting for one minute for a duration of one hour. We set out to time my contractions. I don’t own a timer, so Martin found one on line. I was pacing furiously, peeing almost every contraction.

 

The contractions averaged two minutes apart or less, lasting for a minute each. We timed for forty minutes. Meanwhile, we were trying to clean the house and set up the birth tub. It is difficult to accomplish anything in minute intervals.

 

I called my doula and explained what was going on. I asked if she could come over and whether I should call the midwife. She said yes on the midwife, and that she just had to drive home, drop off her family, then drive to my house. “Okay,” I said, and we hung up. From where she was, she could take an hour. I called her right back. “Can you come right over?” I asked.

 

I called my midwife, who subjected me to what seemed like a 20-minute interview between contractions. She said she’d be over, she just had to go home and have a bite to eat.

 

By the time my doula got here— her husband dropped her off on the way home— I was no longer bothering to put my pants on between contractions. I labored backwards on the toilet and had brief bits of coherent conversation between contractions. At one point I said, “I really just want to take a shit.”

 

My doula replied, “You know, that might just be your baby.” I refused to believe the baby was that close to coming, because then I would have to admit I was having a difficult time.

 

When my midwife arrived, I reluctantly left the toilet and went to the bedroom where I shamelessly took off the rest of my clothing and my midwife did midwife-things.
“I want to go back to the bathroom,” I whined.
“You can go back to the bathroom,” said the midwife, “but this is a much nicer place to have a baby.”
I did not have the energy to say, “I’ll come back to the bedroom when I’m ready to have a baby,” and no one offered to help me up, so I stayed in the bedroom, kneeling on the bed, laboring while leaned over the birth ball for a few more minutes.

 

Iris was born at 9:15pm, three and a quarter hours after Martin picked me up on the road. She was 7 pounds, 21 inches long. She opened her eyes and lifted her head.

 

 

Iris Daphnée