Empress — Tarot of the Absurd

Monday, August 19th, 2013

A few people have asked me what’s up with the crazy hat on the Empress. The Empress is an early card, one of the first ones I illustrated. This was, like, 14 years ago, back when I was still experimenting with which medium I’d draw the deck in, and I didn’t even know there were more than 22 important cards. Anyhow, the truth is, I just like drawing fancy hats on silhouettes.

 

My love of fancy hats stems from early childhood. Did you ever read the “I Can Read” book “Go Dog, Go!” ? There’s this one lady dog who keeps asking a guy dog, “Do you like my hat?” and he keeps saying, “I do not.” Until the end, when her hat is so fancy, and he says, “I do I do! I like that hat!” Or something to that extent. I haven’t read the book in 30 years or so, but it’s a classic. And then there’s the book “Mother, Mother I Feel Sick, Send for the Doctor, Quick Quick, Quick” which was highly influential in my illustration style and not without a fancy hat (Have you seen my hat?), and of course there were Arthur Rackham’s elegant silhouetted hats, and “The 500 Hats of Bartholemew Cubbins,” all of which I found delightful. My artistic influences did not stretch much beyond what I saw in children’s book illustration. In the end, this keeps the deck light-hearted and fun.

 

But about the Empress’ hat, really, I was just putting fancy hats and crazy hair on people. Most of the fancy hats disappeared and the crazy hair became quite tame. The Kings, the last cards to be illustrated, do not have a hair out of place. The Empress kept her crazy hat and her children kept their crazy hair. It’s a very important hat.

Empress

Death — Niki de Saint Phalle Tarot Cards

Saturday, June 29th, 2013

niki st phalle tarot deck cards

 

 

 

I have recently acquired, via moolah, the Nikki St. Phalle tarot cards. I first encountered this deck ages ago, when it was newly released. At that time I decided that I only wanted 78-card decks, which remains true, for the most part. With this purchase, I feel as if my unintentional collection is complete. At least for now. Now I want to buy a really expensive camera.

*   *   *

 

 

 niki de saint phalle cards

One of the main ways cultures around the globe deal with death is through ritual and religion. In my family, discussion of religion generally progressed something like this:

 

Setting: Yellow 1977 VW bus, long road trip. External reference to apostles.

 

Me: “What’s an apostle?”

 

Mom (to me): “I think the four apostle were named Peter, Paul, Luke and John.” (to my father): “Is that right Paul?” (My mom was born of Jews.)

 

Dad: (noncommittal grunting sounds indicating probable ignorance.)

 

Me: “But what did they do?”

 

(pause)

 

Mom: “Paul? You went to Catholic school.”

 

Dad: (emphatic grunting sounds indicating definite ignorance)

 

Me: “Nobody knows what they did?

 

Dad: “Exactly. Nobody knows what they did.”

 

*   *   *

 

Eventually, I asked my mother why she brought us up without teaching us about religion. “I taught you about compost,” she replied. “Birth, death and regeneration all right there. Isn’t that religion?”

 

Eat food. Put scraps in the Temple of Compost. Visit the Temple, turn the pile. Wait. Add scraps. Visit. Turn. Add. Wait. Visit. Turn. (Winter. Spring.) Plant garden. Add compost. Repeat. Is it religion?

 

I sincerely believe in compost. I have never, in all my wanderings, put my foodstuffs into the trash. My younger sister and I speak in hushed tones about stealth composting systems we have developed for honoring the biodegradable potential of uneaten edibles while living in urban areas where there is seemingly no place where one can decay in peace. Hush, hush. Let it rot.

 

There is no dogma. There is no incontrovertible truth other than the truth of potential. The only absolute is the absolute potential for Death to bring forth new life. This is what we must honor; this is what we must facilitate.

 

Denying Death, denying waste, denying that which we see as unwanted or unusable or trash does not make it disappear. Putting trash someplace where we cannot see it does not make it disappear. Turning our heads away from Death does not make Death disappear. Turning our heads from Death causes Death to linger, haunting future generations with illness and waste.

 

Stockpiling Death does not make death go away. We stockpile Death in wastelands caused by pollution dumped through unseen “necessities” of modern life such as waste disposal, mining, demolition, concentrated animal feed operations, driving and roadbuilding (unseen, yes, because we ignore the waste), hospitalization, and so on. When waste is ignored, Death wins. When the potential energy of “waste” is honored and movement toward this potential is facilitated, we need not fear Death. This is the religion.

 

Death — Vertigo Tarot

Wednesday, June 5th, 2013

Godfather Death

 

Having come to a temporary halt on this blog, I’ve seriously been trying to work on the book for this deck. I’m taking all the entries and putting them in order to see what I have. What I have, it seems, is sort-of like a scrap-book. It’s interesting and eclectic. Sometimes, I spend a lot of time writing and I’m sure, in the end, what I have written won’t make it into the book. Research for a folk-tale for arcana #13 is one example. I wanted to find a folk-tale about a man who had tricked Death. The following story is such a tale. I like how the boy in the story is the 13th child and how the man turns down god as a godfather. I like how easy it was for him to trick Death— once. But of course, in the end, Death always has the upper hand. Anyhow. I don’t think I’ll put it into the book, so I hope someone here reads it and finds it amusing. It took a lot of time to pare down the story into something fun and brief. It is called—

 

Godfather Death*

 

Once upon a time there was a poor old man who had twelve children. When a thirteenth was born he did not know where to turn for help. He ran out into the highway to ask the first person whom he met to be the godfather.

 

First God came walking down the road. He said to the man, “I pity you. I will hold your child at his baptism, and care for him, and make him happy on earth.”

“I do not wish to have you for a godfather,” said the man. “You give to the rich, and let the poor starve.”

The man went on his way.

 

Next the devil came down the road. “If you will take me as your child’s godfather,” said the devil, “I will give him an abundance of gold and all the joys of the world.”

“I do not wish to have you for a godfather,” said the man. You deceive mankind and lead them astray.”

He went on his way.

 

At last came Death, walking on withered legs. “Take me as your child’s godfather,” he said, “for I make everyone equal, without distinction. He who has me for a friend cannot fail.”

The man said, “Next Sunday is the baptism. Be there on time.”

Death appeared as he had promised and held the child at baptism.

 

When the boy grew to a young man, Death took his godchild into the woods and said to him, “Now you are to become a doctor. Pay attention when you are called to a sick person. If I am standing at his head, let him smell from this flask, then anoint his feet with its contents, and he will regain his health. But if I am standing at his feet, I will soon take him. Do not attempt to begin a cure.” With that Death gave him the flask, and the young man became a renowned doctor.

 

Once, he was summoned to the king, who was suffering from a serious illness. When the doctor approached, he saw Death standing at the king’s feet. His flask would be of no use. But it occurred to him that he might deceive Death. He took hold of the king and turned him around, so that Death was now standing at his head. It succeeded, and the king regained his health.

 

After the doctor returned home, Death came to him with a grim face. “If you ever again attempt to deceive me, I shall wring your neck,” said Death

 

Soon, the king’s beautiful daughter took ill. No one on earth could help her. The king wept day and night, until finally he proclaimed that whoever could cure her could have her as a reward. The doctor came and saw Death standing at her feet. Astonished at her beauty, he forgot the warning, turned her around, let her smell from the healing flask, and anointed the soles of her feet with its contents.

 

He had scarcely returned home when Death seized him and carried him to an underground cavern. There, the physician saw thousands and thousands of candles burning in endless rows, some large, others medium-sized, others small. Every instant some died out and others were lit. Little flames jumped about in constant change.

“These are the life-lights of mankind,” said Death, then pointed to a little stump that was just threatening to go out. “There is yours!”

“Oh, dear godfather,” said the horrified physician, “light a new one for me that I may enjoy my life and become king and the husband of the beautiful princess.”

“I cannot,” answered Death, “for one must go out before a new one is lighted.”

 

The physician immediately fell into hands of Death.

 

*Re-told from Children’s and Household Tales— Grimms’ Fairy Tales, Berlin, 1812 & 1857, Tale no. 44. The Grimms’ source: Marie Elisabeth Wild (1794-1867). Variations of the tale are found dating back to 1553.

 

The Lovers — Tarot of the Absurd

Tuesday, May 21st, 2013

Tarot Lovers Meaning

Back when I had time to go to yoga class, I used to take Ashtanga with a teacher who liked to sing and tell stories. I like to listen in challenging postures. I went often as I could.

 

One time, she told a creation story about how, before anything existed, there was nothing. Or maybe she said, before all things existed, everything was one thing. Anyhow. Either way, being that there was nothing to compare anything to, debating whether there was one thing or nothing is moot. We will call it homogenized. It was No-One-Thing.

 

Eventually and all at once, the No-One-Thing desired to self-reflect, but of course when there is no self because everything is so homogenous, one cannot self-reflect. To solve the problem, the No-One-Thing cracked. Split. Divided. It reflected itself, and then there were Two. Two! One became Two! Oh, but as soon as there were Two, they wanted to be One. So they made love. Mmm, mmm, mmm. And from their making love, all the universe and all that ever was or ever will be came into existence. Divine Bliss.

 

She told the story years ago and I was trying to attain one difficult posture or another, and that’s mostly all I could remember. I know it is a Tantric creation story. I know that the highest form of making love is to do so in a way that one’s actions become a prayer to god, that that it becomes a form of partner meditation in an attempt to re-create the world. It is possible.  So I wrote my teacher a note and asked what the story was.

 

Shiva and Shakti, she wrote back. She will tell the story to me again, provided we can find a moment within this universe that belongs to the two of us. It is there, this moment, we just need to find it. Meanwhile, unwilling to wait the possible eons that reunion could require, I read all sorts of stuff on line. Nothing I found compared to the sensuality of her telling. The best website I found is here. I read it at least a dozen times. It’s circuitous, but then, so is all creation.

 

Eventually, I wrote the following—

 

 

A Shiva-Shakti Creation Story

Jessica Rose Shanahan

 

In the beginning,

all was darkness

hidden by darkness

in an ocean without consciousness.

A principle without limitation,

the One lived without breath:

 

Unmanifest.

 

And then— a throb.

Desire moved the primal seed of Mind.

Vibration throbbed within the One.

Energy swelled. A quickening!

A pulse! And fragmentation

broke the One-ness One of Universal Being.

 

Action exploded: the One split!

 

Shiva, desiring to know his mind,

engaged in self-reflection, split!

Shakti pulled from Shiva;

Desire pulled from Mind.

The universe pulled itself in two.

Mother! Father!

 

The first sound.

 

One became Two.

Shakti, torn from Shiva;

Shiva and Shakti:Two.

No longer Shiva-Shakti.

But as soon as they were separate,

the Mind chased his Desire.

 

O!

 

Shiva after Shakti:

the Mind chasing Desire.

As soon as they were separate

they wished to re-unite.

Shiva after Shakti:

the Mind chasing Desire.

 

And O! He caught her.

 

O! Mind, at One with Desire!

And yes and, O! And how,

when their bodies moved together, dancing,

universes came and went,

expanded and contracted

according to their play.

 

Shiva. Shakti. Play.

 

They moved in love like

ribbons of light interweaving,

aching to re-join.

And from their mouths emerged

the sounds of alphabets.

Exultant joy. Divine play.

 

Manifestation.

 

From the womb of Shakti:

all the forms of gods and goddesses

and all the worlds that ever were or will be

and everything to fill them: all creation.

Universes come and go.

Universes come and go.

 

The lovers’ dance is all creation.

The Lovers — Love Poetry & Tarot Readings

Tuesday, April 2nd, 2013

As we all know by now, I am supposed to be writing a book about my tarot deck. I love writing. I also thoroughly enjoy cooking and going for long walks and keeping my daughter happy. I have a few things I must do now and again, such as washing diapers and dishes and maybe some dusting on days when a blue moon falls on an odd-numbered Monday in May. Occasionally I sleep.

 

So I said to myself, “You know, Jess, you’ve already written plenty of stuff that no one’s ever going to see. Why don’t you just make a book of that?”

 

And I said to myself, “That’s a great idea!”

 

I’m not sure if I was aware at the time that it was a procrastination technique. It is a great idea! Here you go:

 

I have years of poetry behind me. Reams of it. One of the most delightful things to write is love poetry, or poetic love letters. I could put it together in a little book, match the poems with three-card readings in which The Lovers is modified by two other cards that would describe the flavor of love in the poem, and I could call it The Lovers— Love Poetry & Tarot Readings. So I began.

Lovers Jean Noblet Marseille

 image from the Jean Noblet Tarot

 

I chose a number of poems then gave them all three-card readings.  Now I am trying to decide how to order them. Meanwhile, I get nervouser and nervouser because— well— these are all virgin love poems. So few of them have been seen by eyes aside from mine! Plus, I have no idea if they hang together well enough to form a book.

 

Whether or not anyone would actually purchase— let alone read— a book of love poetry is beside the point. I suspect maybe I would give a copy to Martin and a copy to my bestest of friends and then it would just be available on Amazon for random strangers to stumble across in the same manner that one stumbles across a needle in a haystack or an eyelash in a football field. Why, why have I spent my life writing poetry if not to share with the eyes of others? Is poetry merely a masturbatory form of writing?

 

In my 20s I went through the existential phase of “I write, therefore I exist.” Those things that are written are the things that make history. It was my method of self-manifestation: my Alchemist holds a pen.

Question: If a writer writes and no one is there to read it, does the writer exist?

Answer: Objectively, no. The human who writes does not exist as a “writer” in the eyes of “writer”-label givers unless the words that were written are read.

Someone wrote to me recently: “You would make a good writer.” To which I respond: “You would make a good reader.”

Enough of this existentialism.

 

Following is a sampler of the most diverse (not the best) of my love poetry and their associated three-card reads. But who would read this stuff? I mean, really. Who would read? Gosh, I hope nobody is reading this…

 

*   *   *

 

Expecting W___ in Oaxaca

(Lovers, Star, Knight of Cups)

 

This country is another world.

My bed is full of chocolate crumbs.

My patio crawls with cockroaches.

On the day you arrive

And ring the brass bell

Before the green gate,

I will sweep the tiles free from ants

And wash between my toes.

 

*   *   *

 

Two Verses for P___

(Lovers, 7 of Blades, 2 of Cups & Lovers, 5 of Blades, 4 of Blades)

 

I.

October—

I did not seek your kisses, mister.

I did not try to learn the way

your whiskers feel upon my neck

And be this as it may:

That I take pleasure in your touch

and would not mind the chance

to explore your navel

to see if I can find the universe inside,

I would give back all knowledge

of your affection

For the pure and simple freedom

found in unencumbered friendship.

  

II.

November—

The world was so loud in my ears that day,

I could not hear the words you said.

Your lips moved, your body moved,

shirtless, around the cab of that red truck—

but I did not heat the words you said!

 

I only heard the words you meant to say:

“Get away,

get away—

get—

away.”

 

*   *   *

 

I was wanting to kiss someone.

Do you like kisses?

I can send you some.

(Lovers, Alchemist, Page of Cups)

 

Send me your lips. Send me

the teeth behind your lips,

send the tip of your tongue,

the whiskers on your cheek.

Send an earlobe, the nape of your neck,

some fingertips.

Send the side of your nose,

and I will press mine against it.

I will place my fingers on your neck,

my thumb light against your jaw bone,

my lips on your mouth,

and I will press against your teeth.

Your rough cheek on my smooth cheek,

your hand on my back,

your fingers, the back of my head.

Send breath, and breathe against me.

Send a heartbeat,

and let me place my ear against your chest.

Send me all of you for kissing.

I will kiss.

 

*   *   *

 

Yuk!

What is this

“love”

stuff?

Alchemist — Tarot of the Absurd

Monday, March 18th, 2013

The Alchemist is the bridge between ether and life. He channels ambient power through his self and arranges it into organized forms. He demonstrates the creative power to manifest one’s desires. In this image, in the ultimate act of creation, he creates himself. First emerged, one hand directs with the magic wand. Body, limbs, moon and ether form the two loops of the sign of infinity on a field of stars. Two wispy fingers pull the tail end of his body from the mouth of the erlenmeyer flask, finishing with one hand what was begun with the other. In the most fundamental and extreme demonstration of origination, the Alchemist has brought his own self into being.

Infinite Alchemist

 

—Big Bang Theory—

 

Exploding past the question—

“Who Am I?”

The Alchemist comes screaming forth—

“I Am!”

 

Positive meaning:

Search through your bag of tricks to find creative ways to solve problems. Clear your head. Focus. You can do it!

 

Negative meaning:

Learn the difference between tricks and trickery. Deceit and manipulation do not make up for poor design. Stay grounded, be clear, be true.

Hierophant — Tarot of the Absurd

Saturday, February 2nd, 2013

The illustration for the Hierophant commenced in a tiny cabin in Fairbanks, AK, in the midst of a love affair with Pan. Commonly known as the Greek god of wild places, shepherds and flocks, hunting, folk music, and seducer of nymphs, Pan’s origins are obscure and far older than the Olympic pantheon.

 

Gods exist due to our worship in one form or another. [See the moral from Dec. 6th 2013]. That which brings us closer to god— the Hierophant— is that which is able to increase our worship of god [See March 10, 2012]. My preferred form of worship is love, altho some seem to prefer fear. Thus, the illustration was to have been Pan and a nymph, which I’m sure some would have taken as devil worship. Really, the only way one can worship the devil is to place one’s self-pleasure above all else, which is what I’m supposed to have depicted in the Devil. Gods, on the other hand, take many forms. Some have crooked hairy legs and goat horns.

 

Although I was in love with Pan, I would have been quite happy to have been seduced by any god. Unfortunately, gods stayed away. Fortunately, muses abounded. Unfortunately, at least one of them was strong-headed. I had meant to depict the Hierophant as Pan and an adoring nymph. Somewhere along the line, my muse got ideas of her own and moved my hand to draw a bull-headed, bull-handed man reminiscent of the Minotaur.

 

The Minotaur is not one of many; thus, one cannot say, “a minotaur.” The Minotaur is a result of a bestial love affair between a snow-white bull and Minos’ wife Pasipha. King Minos was supposed to sacrifice the bull that Posiedon had given him, but Minos really, really liked that bull and decided to sacrifice one of his own in stead. Provoked to great annoyance, Posiedon caused Minos’ wife Pasipha fall in love with the bull. Pasipha hired Daedalus make a wooden cow for her to hide in. The bull was suitably duped— pacified, so to speak. Pasipha became pregnant. She birthed the Minotaur: the taurus (bull) of Minos, a terrifying and destructive monster. Daedalus was again called in, this time by King Minos who ordered him to design a gigantic, intricate and inescapable labyrinth in which to hide Minos’ own shame. For his efforts, Daedalus was rewarded with imprisonment, but that’s a whole other story.

 

My point is, despite appearances, this is not the Minotaur. My misdirected muse caused me to draw a nice, loving holy man with the head of a sacred bull. I do rather like him, myself.

 

The Devil — Tarot of the Absurd

Friday, December 7th, 2012

“Tell me,” said the Young Man, “tell me.”

“Tell me of the Devil.”

“Oh, the Devil,”

spoke the Poet. “Of him I speak with foul mouth

and forked tongue. For when it comes to Devils,

who can speak the truth?”

 

*   *   *

 

A lone man alone, remote in his perversion,

honed in upon his own self-pleasure,

self-centered on the center of his own self,

this Devil has snagged his soul in a noose.

Hooped over in a loop, twisted and bent,

his mind and mouth deformed, reformed to form

a conjoined single-purpose pleasure apparatus

body contorted, diverged from human form,

cloistered in self-worship, his cracked mind

wanders on a twisted pleasure path,

sequestered in mad obsession of

self-consuming passion or rabid addiction

to hedonistic compulsion.

Forsaken and forsaking all society,

this Devil has found Devil’s work

for idle hands and idle mouth to do.

Chained in shackles to the conceit of his desire,

the Devil plays the Devil with himself.

 

 

King Rama & Shabari as The Hierophant

Thursday, December 6th, 2012

I began the image for my Hierophant card long before I read Questioning the Ramayanas: a South Asian Tradition, edited by Paula Richman. If I had illustrated it afterward, the essence of the picture would have been the same, only perhaps with the poor old Shabari with her arm looped over god-king Rama’s shoulder.

 

Before I encountered the tarot deck, I had never heard the word “hierophant,” so I looked it up. The word comes from the greek combination of ta hiera, “the holy,” and phainein, “to show.” Traditionally, the Hierophant interprets sacred mysteries and arcane principles. I understand the Hierophant as one who demonstrates holiness and brings others closer to god.

 

 

To make a very long collection of stories very short, the divine Lord Rama spends a lot of time wandering the forest in exile. One story in his wanderings concerns an old woman named Shabari.

 

Shabari is a low-caste woman who has escaped marriage and exiled herself to the edge of a community of forest-dwelling ascetics. She keeps herself hidden. At night she sweeps the paths an deposits firewood outside the doors of their hut and the men say, “Who has done this?”

 

Their Guru instructs his students to stay awake and apprehend this “thief” who is stealing their merit. So they capture Shabari, who falls at the Sage’s feet in devotion. The Sage realizes she something special and invites her into the ashram. The aesthetics take offense at this. When the Guru dies, he promises Shabari that she will see Lord Rama in her lifetime. Disconsolate, it is this knowledge that keeps her alive.

 

With their Guru gone, the aesthetics get nasty. When one accidentally brushes Shabari as she is sweeping the path to the lake, he berates her for polluting him. When he gets to the lake, he finds it has become polluted with blood and vermin. He blames it on that unlucky woman Shabari instead of his own unclean actions.

 

Every day Shabari spends a great amount of time collecting wild jujube fruit from the forest to serve to Lord Rama in case he should happen to stop by. Jujube are uncultivated. Some are very sweet & some are quite sour, so Shabari tastes each one to make sure it is sweet. Only the sweetest for the God-King! In Hindu tradition, there are clean foods and there are dirty foods. A food tasted by a woman, and a low-caste woman at that, is excessively dirty.

 

Every day she waits, but when she finally hears he is coming, she hides in her hut. Of course he seeks her out. She prostrates before him; he lifts her up. Her sorrow departs and she feeds him fruit. He eats and praises it.

 

Meanwhile all the aesthetics are worried about the polluted lake. Someone suggests they ask Rama for a solution when he gets there. Oh, they learn he is already there, and sitting in the hut of that woman!

 

Their pride is shattered. They go to the hut. Rama instructs to the men to touch Shabari’s feet (yuk! dirty!) and bring her to the lake. When she touches the lake, it is once again clean.

 

This story challenges all Hindu concepts of purity and pollution, ultimately showing that the purest thing is unsullied devotion. The god-king Rama has visited Shabari first not because she follows all those strict rules of being— the highest of which is being a man of high birth— but because she is the most devoted.

 

The moral of my retelling is this: That which brings one closer to god is not following arcane rules and mysteries, but unwavering devotion and love demonstrated through thought and action. Gods love best those who love them best.

The Sun — Tarot of the Absurd

Thursday, October 4th, 2012

Freedom

I floated buoyant through the air

loosed to freedom— free of care—

I sang— singing— cloud-wing winging—

free— but to my freedom clinging—

when— AT ONCE!— I knew all truth of being—

love is free— and faith is freeing.