Artist: Karen Marie Sweikhardt
This is one of those decks I got because it was on sale. I decided I didnβt care about it, so I brought it to all the wet and messy places I went. Iβd learned my lesson with a precious deck. Unfortunately, because weβve spent so much time together, Iβve formed a bit of an attachment to this deck. I still donβt particularly care for it, but I use it a lot. I mean, more than others.
I like reading deck reviews where people comment on whether or not they like a deck and how it makes them feel and how accurate the readings they get from it are. I always find it interesting when people say that they donβt like a deck but they find it gives accurate readings. Iβm too inexperienced to make such assessments. I donβt particularly enjoy asking questions. I do like thinking about something thatβs on my mind and seeing how it relates to a card I draw. Maybe someday Iβll be more advanced.
I am still thinking about publishing my deck. I draw the Ace of Swords. This is a card of pure intellect and great mental clarity. Whether those powers are to be put to good or ill is up to the one who holds the blade.
I hold the blade
to my foreheadβ
one side good
and one side ill.
I tap the blade
upon my brow.
I tap the blade
upon my brow.
I tap the blade
upon my browβ
like that little poem :]
Thank you. I like to write little poems.
Lovely poem π
There are decks I enjoy the aesthetics of much more than the Rider Waite, but I find the Rider Waite deck does offer more accurate insights and it’s the deck most querents are familiar with so I use it most of the time.. I’m going to branch out this year and buy some decks I actually like the look of more, but it’s interesting the way decks we don’t particularly care for find an important place in our lives..